Hercu-Liz the Final Trailer

 

Here is my Hercu-Liz animated trailer for this final project for the Foundation course at Farnham UCA.

Please click on the image to view it:

 

Rating

Click here to see the finished Hercu-Liz Trailer on Youtube

 

https://www.youtube.com/watch?v=Bww3R6yXEj8&feature=youtu.be

My project is based around a strong, independent female character role.  Both my final concepts were always going to be animations. Apart from my initial idea, I did not know which direction to go with it at first. However, I developed the idea from previous projects done throughout the units within this foundation course, I extracted ideas from these works I did previously.

The final choices were between a theme on ‘Survival’ (that would include a female explorer, connected to the survival-kit summer project).  Alternatively, I developed a theme based on the MIP project ‘Ritual’ (originally  in that project I wanted an animation that included creatures from myths.) This  would have either a theme involving sacrifice, or a heroine on a journey pitted against various mythical beasts.

I progressed with my understanding of the area. I researched Greek mythology, fantasy art and stories. Additionally I drew inspiration from concept art in computer games and various comics.

After consideration, the style I was aiming for was an 1980’s cartoon animation, such as ‘He-Man’ and ‘Thundercats’. I knew I wanted to capture a distinctive and clear retro feel. By aiming for a bold style with detailed drawings I felt it could stand out.

 

 

I developed possible plots with my storyboarding and scenes. I then cropped these into shorter lengths as the idea for a trailer emerged. Originally I had planned for one long detailed story. I realised that if I had stuck to that idea of a singe scene I couldn’t have showcased my skills or shown the character. I wanted to show more than one creature, and my choice was then to make short takes divided with the title and characters/creatures to be used.

In my sketchbook there were many character designs that weren’t used in the final piece. I wanted not only  to include only the original creatures Hercules did fight, but also adapted mine to include my favourite mythical creatures.

Research into current and past interpretations of the  Herculean saga and also helped me develop the back-story. I realised that if I was going to develop a female version of the Demi- God, I would need to change some aspects of the plot! In my version not only were creatures different, but I also included an arch enemy. In the end, I removed the villain as viewers watching only a short trailer may have been confused.

To create originality in a subject that has been done before many times was a formidable task in itself.  Ancient Greek myths have been redesigned and reinterpreted repeatedly! So to make new, different versions needed lots of research to help create and avoid imitation of other works.

Without a good sources of research, this project would have been weak and suffered through
a lack of inspirational designs and back-story.  Looking into influential artists’ works, past and present, helped build up my ideas, the styles and methods of how I could create this final project.

I feel my research into the possible theories is integrated into my project in the clothing, armour and scenarios developed. In my final cartoon research is evident through the ‘stone lettering’ which gave it an ancient feel (futuristic fonts would have been misplaced). Also, my research into my interpretations of the Minotaur and Medusa show in the final cut

min 26 3D Minotaur Head

Med 21 blood

 

By watching trailers, that included battles, I edited to show quick scenes for the action and to showcase the story.

My sketchbook helped immensely with character designing, storyboarding, techniques and mediums to use.  More detailed notes have been recorded in my journal which ran alongside my sketchbook, often I found myself referring back to this during the animation process.

I found myself experimenting and exploring my ideas further by influences of cartoons by Filmation (an 80’s cartoon company), plus looking at how animated montages and movie trailers are done.

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Translating sketchbook experimental designs into animated characters was a challenge as I still had all the in-between images to consider and workout.  However, without the original sketchbook works, I would not have had anywhere to work from.

The use of a light-pad was very successful during this project and helped tremendously. When I did a brief hand-drawn animation for the interview project in part 2, I didn’t have a light pad at the time and achieved my work during the day and by tracing against a window. Tracing wouldn’t be recommended technique as I would have been limited to when there is was sunlight glaring on the glass! Secondly, I would have to draw in pencil every time, then re-ink afterwards as using an ink based pen vertically causes the ink to run and the pen nib dry out.To create my minute long animation this way would have been impossible.

Light Pad

Light Pad

 

Light Pad

Light Pad

 

 

 

 

 

 

 

 

 

An improvement that I made during this project was redoing the end title as I was not completely satisfied with its outcome.  I felt that I did not have enough time left to alter it, but I decided to draw up a whole new version.  The current title affected me every time I watched the finished trailer, annoying me as it wasn’t as good as it felt rushed. I decided to redo it.  In the end, I am glad I spent the extra time in doing this, as the result  was more successful.

.Title

TitleScreenshot 2014-04-27 13.40.46

 

My sketchbook designs and illustrations show my strengths, and I tried to capture these in a moving version for the animated trailer.  Research helped my inspiration and highlighted strong and weaker areas, by focusing on inspiring images, quotes and styles of particular practitioners. Some artists I have know of before. Some artists who were completely new to me.

I intend the viewer to be able to experience the detail of both the hand drawn stills and the motion of them when in animated form.  I would like the audience to also notice the 80’s influence within the style, and that it resembles cartoons of that era.  I have not uploaded my project online at all, and don’t intend to until after the assessment, but I have shown it to close friends, and friends of friends.  Their response has been what I was after in that they stated: “It looks like He-Man”, in a positive tone.  I was very happy with this answer.IMG_4575

The emotion I feel viewers will have are varied. Depending on the generation I am hoping for nostalgia, enjoyment and humour. However some may feel shock or offence. I am aware and happy that  it may only appeal to a certain audience.

Xmas Projects

Over the the Christmas holidays we all had some homework to do. Storyboards, photos for a project on marks & traces and my essay.  On the plus side, this made me feel young again, and that I was ported back into my youth.  It also gave my brain some exercise after all the booze and Xmas food.

The project consisted of creating, drawing and mounting up three A1 storyboards based on a five minute event in your life.

After using brainstorming strategies, I finally chose the event of my engagement as it’s a wonderful experience for us.

The storyboards were to be shown in three different ways of which one was the event, one focusing on the light and the other signifiying sounds.  The use of materials or medium was left up to yours truly, so I went for one of my favourite style of a comic book format, in black & white and then mounted on black card as I found this effective.

My main influence for this project was Frank Miller of whom has such a powerful unique style for his graphic novels.  Even though my engagement story didn’t go along the lines of Sin City, I had his superb use of angles and view points in mind as well as his strong, bold comic images.

The Spirit by Frank Miller

The Spirit by Frank Miller

Frank Millers amazing works are often distinguished by his fine contrast between the use of black and white with a small section of red in places to bring out certain points of interest.  As these combined together, it really gives a dramatic visual impact.  I was originally going to have this same effect for my storyboards, as a tribute to his style, but after I drew out all my storyboards I figured that it might be too dramatic for what my projects subject.

Storyboard: Event

Storyboard: Event

The Event- focussing on clarity of the story and how it would fit.

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Sound – Focussing on sounds of St Ives- seagulls, seashore, seaside village atmosphere. More realistic in style than the other two- this was to have a ‘comic book’ feel.

IMG_1005

 

Light- Focussing on reflections/ glass/ crystals. Both this, and the event storyboard were to be more abstract.

Even though I’m proud of all three, I did find developing them taxing! My personal favourite was the second board, based on sound, as I liked the different viewpoint filming from a birds eye view could allow. If I were to have more time to improve I would firstly add more shading into the pictures – blocks of black or textured shading could make the images stand out more. A second improvement I’m tempted to add would be to add red hints- but I feel that this may mimic Frank Miller too much! I might trial adding green or blue to these, as they might add to the atmosphere.

My next post will be on the second project we were set over Xmas- Traces!

Vis Comm: Lion Hunting

This is my Visual Communications work.

Our first stage was to choose from a recent newspaper and pick an interesting article. I chose a story from a newspaper, which was on Lion poaching.  I thought this was an interesting and powerful piece. Within this I selected certain words and sentences and used these in a text style.

Vis Comm

Next I bought a fashion magazine that had model Cara Delevingne, because to me, she is the lioness of the catwalk.  I combined these particular sentences or words with images and played around with different font styles.

first attempt draftI then chopped photocopied black and white and colour pages to make a booklet.

Lion Shoot  I gave the final folded booklet a mainly black, white and red them inspired by Frank Miller SinCity Style.

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The final unfolded layout.

lion shoot

Cara with a lions snarl starts off the project.

lion shoot

End (this)... Back page of my booklet summarises my feelings on this horrendous subject!